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Oman and Iran: An Exceptional Relationship in a Turbulent Gulf

عماد عنان
Emad Anan Published 26 March ,2026
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نون بوست
نون بوست

At a time when Gulf capitals have escalated their rhetoric toward Tehran following attacks on targets inside their territories amid Iranian responses to U.S. and Israeli strikes Oman has adopted a notably different tone. Sultan Haitham bin Tariq Al Said congratulated Mojtaba Khamenei on his selection as Iran’s Supreme Leader, expressing his wishes for success in fulfilling his leadership responsibilities.

This message carried particular political significance: it was the only congratulatory note issued by a monarch or president of an Arab state. The only other official Arab response came from Iraq, through its prime minister, alongside statements from several pro-Iran factions in Iraq, Lebanon, and Yemen.

Oman’s approach has not surprised its neighbors within the Gulf Cooperation Council (GCC). For years, Muscat has pursued a somewhat distinct policy in its dealings with Iran—one that has reinforced its unique political and diplomatic posture within the region and set it apart from other Gulf capitals.

In this context, the Omani congratulatory message issued at a highly sensitive moment, even after Iranian drones targeted Oman’s commercial port of Duqm underscores the Sultanate’s distinctive position within the Gulf system regarding relations with Iran. While tensions between Tehran and Gulf capitals continue to intensify, Muscat maintains open channels of communication with the Islamic Republic.

This approach is not a fleeting deviation from the Gulf consensus but rather the continuation of a long-standing equation shaped by geography, history, and strategic interests, as well as by the core principles of Oman’s foreign policy.


An Exceptional Model: Three Decades of Partnership

Omani-Iranian relations represent a unique model within the architecture of regional alliances. The partnership rests on firm foundations of broad cooperation and continuous coordination across multiple sectors making it markedly different from many other regional alignments that periodically face tension and instability.

Since the establishment of formal diplomatic relations on August 26, 1971, bilateral ties have demonstrated a notable degree of stability and momentum. The relationship has been characterized by constructive cooperation, ongoing consultation, and regular exchanges of interests and perspectives across a range of issues.

The scale of mutual engagement is evident in the frequency of official visits: more than 80 political and economic delegations are exchanged annually. Oman is home to over 25,000 Iranian residents, supported by expanding air connectivity between the two countries currently around 50 flights per week while bilateral trade has reached approximately $2.5 billion.

This level of alignment and partnership is not a matter of coincidence or temporary political circumstances. Rather, it reflects the cumulative impact of geopolitical, historical, and economic factors that have collectively strengthened cooperation between Muscat and Tehran and helped contain potential disagreements before they escalate into disputes that might threaten the core relationship.

The Duality of History and Geography

Geography has played a foundational role in shaping the relationship between Muscat and Tehran. The two countries share strategic oversight of one of the world’s most critical maritime passages: the Strait of Hormuz, through which roughly one-fifth of global seaborne oil trade passes.

The strait stretches roughly 1,000 nautical miles, with Iran along its northern shore and Oman along its southern flank, while the distance between the two countries at the narrowest point is approximately 21 nautical miles. The stability of this waterway is therefore vital not only to regional security but also to global economic stability.

From this geopolitical reality emerges a clear calculation: any serious deterioration in relations between Oman and Iran both of which depend, to varying degrees, on the energy flows passing through this corridor would negatively affect international shipping and the direct economic interests of both countries.

Maintaining stable relations has therefore become not merely a diplomatic preference but a strategic necessity imposed by geography and economic security considerations.

History has further reinforced this partnership. One of the pivotal moments shaping bilateral relations was Iran’s support for Oman during the Dhofar Rebellion, which began on June 9, 1965, against the rule of Sultan Said bin Taimur and lasted until 1975.

At the time, Iran deployed roughly 4,000 officers and extensive air and ground equipment in Salalah, playing a decisive role in tipping the balance in favor of the Omani government and bringing the insurgency to an end. This intervention helped shape a relatively positive political memory between Muscat and Tehran—distinct from the historical perceptions that have shaped Iran’s relations with several other Gulf states.

Economic and Security Considerations

Despite international sanctions on Iran, its relationship with Oman remains an exception in the regional landscape. Economic ties between the two countries have continued to expand, driven by clear political will to broaden and diversify areas of cooperation.

Both sides are working toward increasing bilateral trade to $5 billion within the next five years, focusing on key sectors such as energy, petrochemicals, food industries, and manufacturing. Plans also include projects linking ports, expanding Omani investments in Iran’s oil sector, and developing joint gas fields.

Beyond economics, security and logistical considerations also shape Muscat’s approach toward Tehran. Oman views Iran as a significant regional power that cannot simply be ignored or isolated. From this perspective, dialogue and security coordination offer more sustainable benefits than policies of escalation or isolation.

From a pragmatic standpoint, Oman treats the stability of its relationship with Iran as a security necessity dictated by geography and regional power balances—rather than merely a diplomatic option subject to change. This outlook explains Muscat’s commitment to maintaining at least a minimal level of engagement with Tehran even during times of crisis.

Foreign Policy: Neutrality and Preventive Diplomacy

Oman approaches regional and international challenges with a high degree of political realism, grounded in a clear understanding of its geographic position, capabilities, and limits of influence. The country views its strategic environment pragmatically, crafting policies designed to avoid being drawn into conflicts beyond its capacity or entangled in the region’s complex geopolitical rivalries.

Accordingly, Oman has consistently avoided becoming embroiled in sharp regional polarization or fully aligning with any side in conflicts. Instead, it adheres to a policy of positive neutrality, maintaining balanced relations with all actors.

This approach has enabled Oman to avoid the costs of direct involvement in regional conflicts while preserving a broad network of relationships with diverse partners even when its stance appears to diverge from that of some fellow GCC members.

Despite labels sometimes attached to it such as “the forgotten state,” “isolated,” or “neutral” Oman has remained one of the region’s most stable countries. It has largely succeeded in shielding itself from the waves of political and sectarian conflict that have swept across the Middle East over the past decades.

This stability owes much to a cautious and experienced style of governance that carefully balances priorities. Supporters of this approach argue that it has served the goals of stability, development, and improved living standards even if critics view it as a form of authoritarian governance.

Since the era of the late Sultan Qaboos bin Said, and continuing under Haitham bin Tariq, Omani foreign policy has crystallized around several core principles: avoiding rigid regional alliances, maintaining communication channels with all sides, and acting as a quiet mediator whenever necessary.

This strategy has helped keep Muscat removed from many of the region’s escalations including its dealings with Iran where Oman has consistently favored dialogue and containment over rupture or open confrontation.

Mediation: Muscat as Tehran’s Window to the World

Since the 1990s, during the height of Iran’s international isolation, Oman emerged as one of the key channels through which Tehran maintained contact with the outside world. Muscat often served as a bridge between Iran and several international capitals at a time when the Islamic Republic faced increasing diplomatic and political pressure.

The roots of this mediation role go back even earlier. In 1987, Omani officials floated the idea of mediating between Tehran and Washington, according to the memoirs of the late Iranian president Ali Akbar Hashemi Rafsanjani.

In 2009, the late Sultan Qaboos bin Said carried messages from the United States under President Barack Obama to Tehran regarding the nuclear issue. Muscat proposed establishing a secret channel that would pave the way for direct negotiations between the two sides.

Over years of mediation between 2009 and 2015, Oman helped narrow the gap between Washington and Tehran and played a pivotal role in facilitating dialogue that ultimately led to the Iran nuclear deal. The agreement marked a major turning point in relations between the two sides before the United States withdrew from it in 2018.

In the Yemeni conflict, Oman also adopted a position that diverged from the broader Gulf stance. It declined to join the Saudi-led military coalition, partly to avoid damaging its ties with Tehran and partly to remain consistent with its policy of distancing itself from direct involvement in regional conflicts.

At the same time, some media reports have alleged that Oman played a role in facilitating the transfer of certain Iranian weapons to the Houthis accusations that sparked visible dissatisfaction in Washington at the time.

Even after the United States withdrew from the nuclear agreement and reinstated stringent sanctions on Iran, Oman continued to play an active role in managing tensions and preventing a direct confrontation. Muscat also helped keep communication channels open between Iran and regional states amid crises such as the Gulf tanker attacks and the 2020 assassination of General Qassem Soleimani in Baghdad.

More recently, Oman helped return Tehran and Washington to the negotiating table by hosting rounds of talks in Muscat and at its embassy in Geneva, reaffirming its reputation as a trusted mediator capable of managing back-channel diplomacy in some of the world’s most sensitive disputes.

Even within the Gulf itself, Muscat has worked to narrow differences between GCC states and Iran, benefiting from its ability to maintain dialogue with all sides.

Over time, Oman has consolidated its role as an effective diplomatic bridge between Tehran on one side and Gulf and Western capitals on the other giving it a distinct political weight in regional calculations. In this sense, the Sultanate has become an important strategic card within Gulf dynamics, even when its political approach toward Iran diverges from that of its neighbors.

An Exception Within the Gulf Approach

The way Muscat and other Gulf capitals perceive Tehran plays a central role in shaping their respective policies toward Iran explaining the clear divergence between Oman’s stance and that of many of its neighbors.

At its core, this difference stems from contrasting security perceptions, historical experiences, and geopolitical calculations within the Gulf environment. While some Gulf capitals particularly Saudi Arabia and the United Arab Emirates view Iran as a direct strategic rival and a threat that must be contained or confronted, Oman sees Tehran through a different lens: as a neighboring state and an unavoidable regional power with which coexistence and balanced engagement are necessary.

Geography once again reinforces this distinction. As noted earlier, Oman and Iran share responsibility for overseeing the two shores of the Strait of Hormuz. Any direct escalation between them would carry high costs for Oman’s maritime security and economic interests.

Maintaining a degree of stability with Tehran therefore represents a geographic necessity for Muscat arguably more so than for other Gulf states such as Saudi Arabia, which does not border the strait directly, or the UAE, which possesses logistical alternatives that somewhat mitigate this constraint.

The divergence also extends beyond geography and security perceptions to the diplomatic doctrines guiding Gulf states’ foreign policies. Saudi Arabia given its political weight and regional position tends to pursue a strategy centered on projecting influence and consolidating leadership within the Arab and regional arena. The United Arab Emirates, for its part, has adopted in recent years an assertive foreign policy with expansionist elements in certain files.

By contrast, Oman’s policy is not driven by ambitions of influence or regional expansion. Instead, it rests on a consistent triad: neutrality, dialogue, and mediation. These principles have enabled Muscat to manage its relationship with Iran away from the logic of confrontation and polarization.

Given the geopolitical realities, historical accumulation, and pragmatic realism guiding Omani diplomacy, it is hardly surprising that the Sultan of Oman emerged as the only Arab leader to congratulate Iran on the appointment of its new Supreme Leader.

The gesture aligned with a deeply rooted Omani approach to managing relations with Tehran—even at moments of acute tension, and just days after Iranian drones targeted an Omani port, amid rising Gulf anger toward Iran.

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عماد عنان
By عماد عنان كاتب صحفي وباحث في الإعلام الدولي
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أفضل 10 أفلام تدور قصتها حول صناعة الأفلام

جوناثان رومني
جوناثان رومني Published 5 May ,2015
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5b7c8b38-1870-4838-a3e4-bcee6badaa75-2060x1408

مع العودة الملتهبة لفيلم المخرج فيلليني ½8 وعرضه في دور السينما هذا الأسبوع، إليكم أفضل الأفلام التي تدور أحداثها حول صناعة الأفلام.

خلف الشاشة (Behind The Screen)

تشارلي تشابلن، عام 1916

نون بوست

لم تستغرق السينما فترة طويلة قبل أن تدرك أن القصة الفنية يمكن أن تكون موضوعًا رائعًا يُعتمد عليه كمحور للقصص، أكثر أفلام السينما الصامتة شهرة حول هذا الموضوع هو فيلم المخرج والممثل باستر كيتون المسمى شيرلوك الابن (Sherlock Jr) (1924)، حيث تدور أحداث القصة فيه عن عارض أفلام في السينما يحلم بأنه يمثل في الفيلم الذي يعرضه، ولكن قبل صدور هذا الفيلم بثماني سنوات، قدم شارلي شابلن فيلم قصير يشابه بمحتواه هذه القصة الوهمية، فيلم شابلن يصور استوديو يعمل فيه شابلن بحركاته الغريبة والظريفة بدور مساعد المسرح، ويمكننا أن نلمس ضمن الفيلم شكل صناعة السينما الصامتة حينها، حيث يُظهر الفيلم المخرج المقطب بنظاراته الداكنة وقبعته التي يرتديها بالمقلوب، وهو يشرف بتجهم وعصبية على مشهد رمي الفطيرة، وهذا المخرج بالتأكيد هو أول المؤلفين العصبيين الذي يظهر على شاشات السينما.

اللاعب (The Player)

روبرت ألتمان، عام 1992

نون بوست

يتم تصوير المنتجين أحيانًا على الشاشة بصورة المتوحشين ولكن الرائعين بذات الوقت، وأحيانًا يتم الاقتصار على الصورة الوحشية، ولكن صورة مدراء الاستوديو لم يتم تصويرها أبدًا بهذا السواد الحالك وانعدام الإحساس مثلما صورها هذا الفيلم، الذي يعرض معاناة غريفين ميل “الممثل تيم روبنز” في مهنة مدير الاستوديو، مؤلف الفيلم مايكل تولكين أفسح الفرصة أمام المخرج روبرت ألتمان لينتقد بشكل عنيف نظام هوليوود في هذا الفيلم، فيلم اللاعب The Player يحتوي أمام وخلف الكاميرا على موسوعة من أسماء هوليود اللامعة، الذين أظهروا تضامنهم مع المخرج من خلال مساهمتهم في هذه الملحمة بأسمائهم الحقيقة، المشهد الأول من الفيلم الذي يبتدره المخرج بموسيقى أورسون ويلز “لمسة الشيطان”، هي من أجمل مشاهد الفيلم حقيقة.

مختلس النظر توم (Peeping Tom)

مايكل باول، عام 1960

نون بوست

هذا الفيلم الذي أطلق آلاف الدراسات والأطروحات حول سياسة “اختلاس النظر”، واختتم الصنعة السينمائية لمخرجه البريطاني الرائع مايكل باول، الفيلم من كتابة ليو ماركس، ويحتوي على دراسة نادرة لصانع الأفلام والمصور المختل نفسيًا لونر، الممثل كارل بوهم يمثل دور المصور لونر المتلصص المريض بهاجس التقاط نظرات الرعب، مختلس النظر توم هو تحفة فنية نادرة لأنه يصور فن صناعة الصورة على جميع المستويات، من الاستوديو حتى الجمهور، هذا الفيلم يمكن تصنيفه بسهولة على أنه من الأفلام التي ساعدت على الانفتاح على العقلية المظلمة لفن السينما.

½8

فريدريكو فيلليني، عام 1963

نون بوست

يُعاد عرض هذا الفيلم حاليًا في دور السينما، وهو فيلم مفرط في روعته للمخرج المبدع فريدريكو فيلليني، يمكن اعتبار الفيلم أحد القمم البصرية السينمائية الحديثة، وطريقة عرضه وتصويره للإيمان المفرط بالذات لها آثار كارثية تشجع أجيال المؤلفين على ممارسة الثقة القاتلة بالنفس، مارسيلو ماستروياني لعب دور بطل فيليني في الفيلم الذي يسمى جويدو، وهو مخرج نفذ محتواه الفني الإلهامي، وبدأ يصنع الأفلام داخل رأسه، حيث صار يقتبسها من حياته وحياة من يحب، الموسيقى المتلونة والملتوية لنينو روتا تبقي الجنون مستعرًا ضمن الفيلم ذو التأثير الحماسي.

الاحتقار (Le Mépris)

جان لوك غودار، عام 1963

نون بوست

بالاقتباس عن رواية ألبرتو مورافيا، جان لوك غودار أخرج فيلم الاحتقار Le Mépris ليصور لنا بأسى الأمجاد المفقودة للسينما، وبذات الوقت يسعى فيه لدفع الفن لشكل من أشكال التغيير المستقبلي الجذري، التصوير تم في إيطاليا في Cinecittà في روما، ومن ثم في كابري، الفيلم يصور المخرج الألماني الكبير فريتز لانغ وهو يحاول تصوير الأوديسة تحت رعاية منتج أمريكي أرجوازي (يؤدي دوره الرائع جاك بالانس)، موسيقى الفيلم من تأليف جورج ديلور، ويشارك بالبطولة الرائعة بريجيت باردو، الاحتقار هو فيلم غودار الوحيد الذي يمكنه أن يجعلك تبكي وبذات الوقت ترفع حاجبيك استغرابًا ومتعة.

الغناء تحت المطر (Singin’ in the Rain)

جين كيلي وستنالي دونن، عام 1952

نون بوست

محاكاة ساخرة عن الاضطرابات التي عاشتها صناعة السينما في أواخر العشرينيات، عندما تحولت الأفلام الصامتة إلى الصوت، الفيلم يصور معاناة نجمين من نجوم السينما الصامتة دون لوكوود “الممثل جين كيلي” ولينا لامونت “الممثلة جان هاغن”، حيث يجسد معناة لامونت مع لهجتها الغريبة والتي يجب عليها أن تتكلم في الفيلم الموسيقي مع لووكود بعنوان “الفارس المبارز”، الموسيقى التصويرية للفيلم من تأليف البارع ميشال هازانافيكوس.

كابوس ويس كرافن الجديد (Wes Craven’s New Nightmare)

ويس كرافن، عام 1994

نون بوست

هوس هواة الرعب بمشاهد الإرهاب يجعل هذه الأرضية غير خصبة لتدخل ضمن هذه القائمة، ولكن هذا الأمر لم يصعب على المخرج المبدع ويس كرافن مخرج فيلم المقصورة في الغابة The Cabin in the Woods، ومخرج سلسلة أفلام الرعب الصرخة Scream، فقبل إخراجه لفيلم الصرخة ختم كرافن سلسلة أفلامه كابوس في شارع إيلم A Nightmare on Elm Street بهذا الفيلم التأملي كابوس ويس كرافن الجديد، الواقع يلتقي مع الخيال بطرق مقلقة في هذه الفيلم، حيث يجسد شخصيات الفيلم المخرج ويس كرافن والممثلة هيذر لانجينكامب وروبرت انجلند بشخصياتهم الحقيقية، وقصة الفيلم تتمحور حول رغبة هيذر بصنع فيلم آخر مع كرافن، إلا أن ابنها ديلان ينخرط في موجة مع الشرير المشوه فريدي كروجر وهو بطل سلسة أفلام كابوس شارع إيلم، وعلى الرغم من براعة وإتقان التمثيل، بيد أن هذا الجزء من سلسة أفلام رعب كابوس كرافن حقق أدنى إيراد للسلسلة في شباك التذاكر.

وداعًا يا نزل التنين (Goodbye, Dragon Inn)

تساو مينغ ليانغ، عام 2003

نون بوست

في خضم عشق السينما لألقها المفقود، يأتي الفيلم الأغنى والأغرب للمخرج تساي مينغ ليانغ، قصة الفيلم تتحدث عن دار سينما في تايبيه على وشك إغلاق، ولكن ليس قبل عرض الفيلم الأخير “نزل التنين” وهو من أفلام عام 1967 الكلاسيكية التي يعشقها الجمهور، الفيلم يصور الموظفين وحركتهم، كما يصور جمهور الصالة، وأمين الصندوق المشلول وهو يتجول في ممرات الطابق العلوي، وحتى طقطقة المشاهدين وهم يفصفصون بذر عباد الشمس أمام شاشة السينما، هذا الفيلم الغريب والغني فنيًا والهزلي بذات الوقت، سيضرب على وترك الحساس حتى لو كان أول الأفلام التي تشاهدها من هذا النوع.

هيلزابوبين (Hellzapoppin)

إتش سي بوتر، عام 1941

نون بوست

الاستعراض المسرحي للكوميديين أولسن وجونسون كان سينسى لولا هذا الفيلم، الذي تم اقتباسه من عروضهما على مسرح برودواي في مرحلة سابقة من حياتها، الفيلم يعرض محاولات أولسن وجونسون لتحويل مسرحيتهما هيلزابوبين إلى مسرحية موسيقية وراء الكواليس، وهذه السريالية المدمجة مع الفنتازيا من الدرجة الأولى، تتشكل من خلال سرد الفيلم ضمن فيلم، حيث يبدأ الفيلم بصياح المخرج الغاضب “CUT” التي تعتبر افتتاحية لسلسلة من المشاهد الجحيمية، الفيلم له نظيره في الرسوم المتحركة “دافي داك”، حين يكتشف الأخير العوائق الوجودية لكونه مجرد شخصية في الرسوم المتحركة.

خرائط النجوم (Maps to the Stars)

ديفيد كروننبرغ ، عام 2014

نون بوست

الفيلم من تأليف بروس واغنر، وهو يصور كوميديا سوداء رائعة حول الانهيارات النفسية – الجنسية، هذا الفيلم ليس الأول من نوعه، ولكنها مميز بالتأكيد، فالفيلم يسلط الضوء بصراحة وجرأة على أن أبطال الفيلم ليسوا سوى مجانين، والمثال الأكثر شهرة عن هذا الموضوع هو فيلم شارع الغروب Sunset Boulevard للمخرج بيلي وايلدر في عام 1950، والذي لعبت ضمنه أسطورة العصر الصامت غلوريا سوانسون دور نورما ديزموند، وفيلم كروننبرغ هو متعة وقحة، تلعب فيه الرائعة جوليان مور شخصية نجمة سينمائية نرجسية عصبية، في دليل على أن شبح نورما ديزموند لم يختف من بيفرلي هيلز بعد.

المصدر: الغارديان

TAGGED: السينما ، صناعة الأفلام ، صناعة السينما
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By جوناثان رومني ناقد فني ومحرر في صحيفة الغارديان
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